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Sunday, March 16, 1997
Pittsburgh Tribune-Review
Excerpt from: "Exhibits Offer Several
Views of Nature."
By Graham Shearing.
Michael Berger Gallery has taken over the University of Pittsburgh's
gallery in the Frick Fine Arts Building to show two exhibitions, "Nature
as Muse I" and "Nature as Muse II."
They are quite different and equally rewarding. The first, watercolors
by the atmospherically named Patricia Tobacco Forrester, are vivid, immediate
and effective.
But you are tricked into thinking they are of a type, for they
are not those decorative expanses often hung over sofas and fireplaces. Instead,
you see large, colorful paintings into which you can almost walk, not because
they are models of naturalism, but because they seem to pull you into the
work physically, a sensation increased by a certain concavity of the works
themselves (which are not framed, but pinned to something like a stretcher).
Nature, the muse here, is somewhat exaggerated and intense.
These are from the life, painted en plein air, of identifiable things and
places. But it is as if Forrester has passed a huge magnifying glass over
her subject, distorting and rediscovering it, subtly shifting the balance
of its elements to her purpose.

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